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| U.S. Jazz, Blues and Folk Singer Barbara Dane in 1960 (wikicommons) |
In a 1991 interview, 20th-century and 21st-century U.S. jazz, blues and folk singer Barbara Dane recalled how some commercially-oriented U.S. folk music festival producers--like then-Newport Folk Festival Producer George Wein--apparently failed to invite her to perform at most commercially-oriented U.S. folk music festivals during the 1960's; and during the 11 years that she devoted to recording other protest folk singers or singer-songwriters on non-commercially-oriented Paredon Records' vinyl albums.
"I was never invited back to Newport except once....I’ll give you some documentation about that because it’s kind of interesting."But it basically was I went to the festival because I loved the music and I loved the people who perform it.,,So I went several times and just soaked everything up and reconnected with a lot of old friends and all that. But I--outside of being asked to get up and jam on somebody’s set--was never invited back there to sing.
"...I got an invitation one day via Bernice Reagon to be on a workshop...She’d sort of taken note that the festival was getting further and further from its glory days, when everyone stands on the stage and sings `We Shall Overcome.' And now we’re, you know, two three years down the line and...it’s all sort of a sham.
"And so she decided to propose a political song workshop. And it was going to be a one hour workshop, out on the edge of the...You know, in the tent during the day. Not on the main stage and all that kind of stuff.
"But anyway I got a letter inviting me to be on that. And I decided to turn that down because I decided that it was a mockery of the whole deal...I decided that this was made to marginalize...to a one hour workshop....I mean we’re talking...mid-Sixties, later Sixties. And they were going to marginalize it out to that...
"Boil it all down and have a little token thing. And then they can sit back and say `well we did it. Now we did our thing. We had political singers here.' I decided I wasn’t going to be a party to that.
"So I made a big todo about it. I wrote a big long letter explaining why I wasn’t going to do it and sent it to the board. Which then included quite a lot of people in the folk music field. And kinda quite a lot of key people. And then I also sent it to the Village Voice and they printed it.
"And as a result I was never, for twenty years or more--well let’s say dating from the first festival--which was what ’59, the first Newport festival? I was never invited to sing on a major folk song festival. Zero. You know.
"So I began to realize that this was happening. These things sneak up on you. Like this is not blacklisting in the sense of the McCarthy black list. This is, that’s that only term I can think of, is marginalization. You know, you’re just sort of pushed further out..."
