Revisiting IWW's `Wage Workers, Come Join The Union' protest folk and labor song Lyrics

As the 2007 book, The Big Red Songbook, which Archie Green, David Roediger, Franklin Rosemont and Salvatore Salerno edited, noted, the Industrial Workers of the World [IWW] protest folk and labor song, "Wage Workers, Come Join The Union," was written by an anonymous worker in the early 20th-century.

And the following "Wage Workers, Come Join The Union" lyrics can be sung to the same traditional folk song tune which the melody of "John Brown's Body," "Battle Hymn of the Republic" and "Solidarity Forever" songs utilize:

"We have seen the reaper toiling in the heat of summer sun,

We have seen his children needy when the harvesting was done.

We have seen a mighty army dying, helpless, one by one,

While their flag went marching on.

(chorus)

Wage workers, come join the union!

Wage workers, come join the union!

Wage workers, come join the union!

Industrial Workers of the World.

O, the army of the wretched, how they swarm the city street--

We have seen them in the midnight, where the Goths and Vandals meet;

We have shuddered in the darkness at the noises of their feet,

But their cause went marching on. (chorus)

But no longer shall the children bend above the whizzing wheel,

We will free the weary women from their bondage under steel;

In the mines and in the forest worn and helpless man shall feel

That his cause is marching on. (chorus)

Then lift your eyes, ye toilers, in the desert hot and drear,

Catch the cool winds from the mountains.

Hark! the river's voice is near;

Soon we'll rest beside the fountain and the dreamland will be here

As we go marching on. (chorus)

 

Revisiting IWW's `The Banner Of Labor" protest folk and labor song lyrics.

Until around 5 years ago, most sports fans in the United States never questioned why "The Star Spangled Banner," rather than a labor song like "Solidarity Forever," was played or sung inside a stadium before a football or baseball game begins. And in 2020, after more people pointed out that the lyrics to "The Star Spangled Banner" were written by someone who had owned some slaves in early 19th-century, Francis Scott Key, some more people in the USA began to question whether it still made sense in 21st-century for "The Star Spangled Banner" to continue to be the U.S. national anthem.

According to the 2007 book, titled The Big Red Songbook, which Archie Green, David Roediger, Franklin Rosemont and Salvatore Salerno edited, it was only in 1931 that "Congress elevated `The Star Spangled Banner' to become the national anthem of the United States; and "The Star Spangled Banner"'s lyrics are sung to the tune of "To Anacreon In Heaven" (whose collectively-written tune has been attributed to a Brit composer named John Stafford Smith). And the same book also noted that in the early 20th-century an "unnamed author" wrote the following lyrics to "The Banner Of Labor" protest folk and labor song, that can be sung to the same "To Anacreon In Heaven" tune to which "The Star Spangled Banner" national anthem lyrics of the USA is sung:

"Oh say, can you hear, coming near and more near
The call now resounding: `Come all ye who labor?'
The Industrial Band, throughout all the land
Bids toilers remember, each toiler's his neighbor.
Come, workers, unite! `tis Humanity's fight;
We call, you come forth in your manhood and might.

Chorus
And the Banner of Labor will surely soon wave
O'er the land that is free, from the master and slave.

The blood and the lives of children and wives
Are ground into dollars for parasites' pleasure;
The children now slave, till they sink in their grave
That robbers may fatten and add to their treasure.
Will you idly sit by, unheeding their cry?
Arise! Be ye men, see, the battle draws nigh. (chorus)

Long, long has the spoil of labor and toil
Been wrung from the workers by parasite classes;
While Poverty, gaunt, Desolation and Want
Have Dwelt in the hovels of earth's toiling masses.
Through bloodshed and tears, our day star appears,
Industrial Union, the wage slave now cheers. (chorus)

  

Revisiting IWW's `Walking On The Grass' protest folk and labor song lyrics

As the 2007 book, The Big Red Songbook, which Archie Green, David Roediger, Franklin Rosemont and Salvatore Salerno edited, noted, the Industrial Workers of the World [IWW] protest folk and labor song "Walking On The Grass," "represents IWW songs with authors unknown," was "probably composed in response to a Missoula, Montana ordinance prohibiting public assembly" in the early 20th-century and "addressed issues raised in free-speech campaigns waged by Wobblies in the Northwest and California." Following are the lyrics to the "Walking On The Grass" song, which can be sung to the traditional tune of "The Wearing Of The Green" Irish rebel protest folk song:

"In this blessed land of freedom where King Mammon wears the crown
There are many ways illegal now to hold the people down
When the dudes of state militia are slow to come in time
The law upholding Pinkertons are gathered from the slime.
There are wisely framed injunctions that you must not leave your job
And a peaceable assemblage is declared to be a mob.
And Congress passed a measure framed by some consummate ass,
So they are clubbing men and women just for walking on the grass.

"In this year of slow starvation, when a fellow looks for work,
The chances are a cop will grab his collar with a jerk;
He will run him in for vagrancy, he is branded as a tramp,
And all the well-to-do will shout: `It serves him right, the scamp!'
So we let the ruling class maintain the dignity of law.
When the court decides against us we are filled with wholesome awe,
But we cannot stand the outrage without a little sauce
When they're clubbing men and women just for walking on the grass.

"The papers said the union men were all but anarchists,
So the job trust promised work for all who wouldn't enlist;
But the next day when the hungry hoard surrounded city hall,
He hedged and said he didn't promise anything at all.
So the powers that be are acting very queer to say the least
They should go and read their Bible and all about Belshazzar's feast,
And when mene tekel at length shall come to pass
They'll stop clubbing men and women just for walking on the grass." 

`American Folk Songs of Protest' Author John Greenway's Late 1940s Visits To Woody Guthrie Revisited

In his 1953 book, American Folk Songs of Protest, John Greenway recalled his late 1940s visits to U.S. protest folk singer-songwriter Woody Guthrie:

"When I first visited Guthrie in 1946 he was living in a crowded apartment in Coney Island with his wife and 4-year-old daughter, Cathy Ann...

"I asked if he agreed with a more famous contemporary who said that folk songs were gaining popularity because city people were bored with screen glamour and soap operas...

"He did not: `The unions started the boom,' he insisted. `The workers wanted to sing about their fight, but they couldn't borrow popular tunes because the moneymen who own the big monopoly on music would sock them with copyright laws. They had to go where they should have gone in the first place--to the old songs made by workers years ago...'

"He pushed a two-inch thick book of bound typewriter papers toward me. `Look,' he said, `there's more than 300 songs I've written, most of them to the old tunes. You won't hear the night club-orgasm girls singing these songs.'...

"Since that meeting Guthrie has been exceptionally prolific in song writing, and probably his stack of compositions now is three or four times as thick...His songs are likely to be...versified paraphrases of newspaper accounts of injustices perpetrated on individuals or groups...The inspiration and feeling of protest are still there in sufficient quantity...Of an estimated thousand songs in his manuscript collection, I found...about 140 whose basic theme was one of protest...

"...Like the IWW, which never copyrighted their songbooks, Guthrie...seems content to let them [his songs] fall into the public domain...

"...Guthrie never uses the tune of a popular song for his compositions."