A blog to encourage creation of non-commercially-motivated homemade, public domain, topical, politically left protest folk songs by non-professional working-class songwriters and musicians, that express a different consciousness than that expressed by most of the commercially-motivated songs that get aired in 21st-century on corporate or foundation-sponsored or government-funded radio stations..
Saturday, April 13, 2019
Irwin Silber's 1966 Foreward To `Hard Hitting Songs for Hard-Hit People' Book: An Excerpt
In 1966 Sing-Out! folk music magazine editor Irwin Silber wrote the following about the Hard Hitting Songs for Hard-Hit People book, whose text Woody Guthrie, Pete Seeger and Alan Lomax first put together in the early 1940's, that was finally published in book form by Moe Asch's Oak Publications in 1967:
"...This book is all about--the despair, the struggle, and the dreams of the working people of the United States...as expressed through the songs the people themselves made up and sang.
"There aren't many professional song-writers represented in these pages. Mostly, the writers and composers, where we know their names, are people like Aunt Molly Jackson, Jim Garland, Ella Mae Wiggins, Sara Ogan, John Handcox. Or blues singers like Blind Lemon Jefferson, Big Bill Broonzy, Tampa Red. For these and all the anonymous picket-line poets of the time, there was no intellectual problem of `commitment' or whether or not `protest' was `art.' When you sing because your life depends upon it, when you sing out of the very bowels of your being with a scream of anguish or when you sing out with a yell that demands and proclaims and asserts your rights as a man or a woman and as a human being--when you sing this way, where the song is an extension of your own life as it is inter-connected with the lives of others, there is no need to weigh the advisability or artistic worth of songs of protest..."
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment